Newly Revised Chen 19 Form DVD - In-Depth Instruction on the Short Chen Taiji Form

Chen-19-2017-250My newly revised and expanded Chen 19 DVD is available starting today. It replaces the original, which was produced in 2008 in the older 4:3 TV screen format. The new DVD is longer, at 2 1/2 hours, with much more detail on each movement, and in widescreen format with better camera angles and overall better production.

The Chen 19 was the first Chen Taiji form I learned in 1998 from Jim and Angela Criscimagna. Through them, I also met Grandmaster Chen Xiaowang and studied the form with him. He designed the form in the mid-90s in response to popular demand for a shorter Chen style form that would fit into busy modern Western lives. I suspect it was also the Chen family's answer to the Yang 24, which is probably the most popular form in the world.

The new DVD includes:

** A complete demonstration of the form from front and rear views.

** Detailed instruction on each movement with an emphasis on internal body mechanics.

** You'll also see a student being coached through the movements, so you can learn to avoid beginner mistakes.

There are a few self-defense applications sprinkled throughout, but I decided to focus this DVD on the form. If you are interested in the fighting applications, I would recommend the DVD set on Laojia Yilu Fighting Applications, which explores over 400 applications from the longer form.

Here is a short clip from the DVD, part of the instruction on movement #3, "Lazy About Tying the Coat." The DVD costs only $19.99 and there is free shipping worldwide (International orders are shipped without the plastic cases). As usual, there is a no-hassle, iron-clad money-back guarantee if you are not satisfied for any reason. Follow this link to order the Chen 19 DVD. All of the video is also available for streaming for members of my website - www.internalfightingarts.com

 Sample Clip from Chen 19 DVD

Follow this link for more information and to order.


Newly Revised Silk-Reeling DVD Offers Detailed Instruction for 19 Chan Ssu Jin Exercises and Tai Chi Pole-Shaking

SRE-Workshop-2015
Portions of the new Silk-Reeling DVD were shot at a workshop Ken did in 2015.

My first DVD on Silk-Reeling Energy was shot in 2008 in the old 4:3 TV format. I was never really satisfied that it was spread over two DVDs, forcing me to charge a bit more for it ($24.99). But it has been very popular over the years with internal artists worldwide.

Now, I have completely redone it in widescreen format and I have managed to put more than 2 1/2 hours of instruction onto one DVD at a lower price ($19.99). The camera angles are better, too.

Silk-Reeling "Energy" has been misinterpreted by many literal-minded people. When you talk about internal "energies," you are not talking about an actual "energy" coursing through your body like the concept many use for "chi." What energy means is "method." What are the methods of moving in the internal arts that helps give you relaxed power, without the muscular tension that some martial arts use?

Silk-Reeling, or Chan Ssu Jin (Chan Ssu Chin) is part of that method. It involves spiraling movement through the body, which is combined with the ground path, peng jin, whole-body movement, Dan T'ien rotation and proper use of the kua. Now, I always get flamed when I say that SRE is not mystical, especially by people who are into the woo woo, but it's true. The spiraling movement of Chan Ssu Jin is a physical skill, like all skills in the internal arts. You can still believe in the woo woo if you want, but the exercises still work.

SRE-1-CoachingThe Silk-Reeling exercises on this video teach you how to take the six key body mechanics that form the basis of internal movement and put them together into exercises that will help make your internal movement better.

There are many "energies" involved when you practice self-defense with Tai Chi, Hsing-I and Bagua, but there are also basic body mechanics that you need; without them, your movement is empty.

I first learned these exercises and concepts from Chen Xiaowang, Chen Xiaoxing, and their students and disciples.

One thing I love about these exercises is the fact that you can do most of them even if you don't have a lot of room. Most of them can be done in a cubicle, or in a small office, anywhere you find yourself without room to do a form.

When you do a Silk-Reeling exercise, you are doing Tai Chi. 

They can be done as qigong, too. Sometimes, if I'm watching TV at night at the end of the day, I'll get up and do these exercises rather than sit on the couch. They build leg strength and, if you practice as intended, they will improve your internal movement.

The DVD also contains a section on pole-shaking, which is one of the ways to begin putting all the body mechanics to work for fajin (issuing energy).

Here is a short clip from the Silk-Reeling Energy DVD. If you are interested, you can click here for more information and to order it. There is free shipping worldwide and an iron-clad, no hassle, money back guarantee. If you're not happy with it, just return it for a fast refund. I have never had anyone return this DVD after selling more than 1,000 of them since 2008. All the video from the DVD is also on my website at www.internalfightingarts.com. 

 


A Guided Chaos Workshop - Tai Chi Fighting Insights from the Outside

Guided Chaos Workshop Teachers 9-17-2016
Left to right: Kevin Harrell, Joe Martarano, Ken, and Lt. Col. Al Ridenhour.

Those of us who practice Tai Chi (Taiji) as a fighting art pursue concepts that represent a holy grail. They are written about in the classics, and spoken of in quotes by long-dead masters including Chen Wangting, who supposedly said:

"I know everyone, but no one knows me."

When I first became interested in the Kung Fu TV show back in the early Seventies, one of the interesting quotes from the show was:

"A Shaolin monk, when reached for, cannot be felt."

When I was 18 and watching that show, I thought that meant something mystical, as if a Shaolin monk vanished in front of you. But the quote resonated with me.

I have done push hands with some Chinese instructors, including Chen Bing and Chen Xiaoxing, who, when I pushed on them, they disappeared and very quickly I found myself off-balance (or on the floor). When I reached for them, they could not be felt.

In other words, I could not find their center, but they could find mine.

For a long time, I've been working to get better at maintaining my center while I control my opponent's center, setting him up for a counter. There are muscular ways of achieving this, and more subtle ways. And so, when my friend Evan Yeung introduced me to Guided Chaos, and its practice of "contact flow," I immediately saw the connection between this aspect of their art and the goal that eludes so many Tai Chi folks who end up using muscle to overpower their opponents, rather than relaxing, sensing, flowing, and controlling the opponent's center.

On September 17, 2016, I spent a day in Cincinnati working on contact flow with three talented Guided Chaos instructors: Lt. Col. Al Ridenhour, Kevin Harrell, and Joe Martarano. It was my second time working with Al and Kevin, and the first time I have met Joe. I hope it isn't the last. These guys are great martial artists.

Another important phrase that we often repeat in martial arts is from Bruce Lee, who borrowed from Taoist philosophy when he urged people to "be water." Pour it into a cup and it becomes the cup, Bruce said. Water can flow, and it can crash.

"Be water, my friend."

Contact flow, developed by the founder of Guided Chaos, John Perkins, teaches you to relax and flow around obstacles, redirecting incoming force, moving and maintaining your root, maintaining your center, and, as you flow and find your way, you knock the crap out of your opponent.

This is what Tai Chi is supposed to be. Tai Chi is about fighting, but it aims for more subtle principles and body mechanics than some arts do.

Chen Tai Chi push hands can be brutal. I know people who have gone to Chen Village and come back nursing broken bones. There are strikes, throws, joint locks and more. A good pluck can cause whiplash. If you aren't careful, or if you get a little aggressive, someone will need to heal up for a while. But in the beginning, you should develop sensitivity and be able to move from form to fighting. To do that well, you should develop subtle skills. At least that's what everyone talks about, but few seem to do it.

Practicing contact flow triggered insights and connected some of the dots of Tai Chi in an effective way. A year ago, after my first Guided Chaos workshop, it changed the way I thought about push hands, and this year, it has changed the way I practice push hands.

You should be able to learn some of these subtle skills, but it's not easy to find good push hands instructors, or experienced push hands partners. Another problem we face is that Americans simply do not grow up learning the concept of relaxing and flowing while maintaining the ground, peng, and using the spiraling movements of silk-reeling. Instead, we tense up and want to smash like the Hulk. It's funny to me now when I push hands with someone from outside the internal arts -- how tense they are. But that is how we all feel until we learn, and practice, practice, practice.

Guided Chaos - Ken - Evan
My friend Evan Yeung introduced me to Guided Chaos.

One time, around 1999, a Chinese gongfu "master" came to the Quad Cities to hold a workshop at my friend John Morrow's school. I attended, and at one point during the workshop, the interpreter walked over to me and said, "Master Wong says you have gongfu. He would like to visit your school and practice with you."

I was very flattered. When he visited my school a few days later, he had me put my hand on his chest, and he put his on mine. He wanted me to push him off-balance. That was the first time I ever pushed on someone whose center could not be found, and he wasn't nearly as skilled as the Chen family. It was eye-opening. But he had no idea how to explain it to me. So the concept remained like the Shaolin monk. I reached for it, but could not find it.

Guided Chaos has at least part of the answer, but as a combat art, it is about a lot more than contact flow. It is a no-nonsense fighting art and they will flat out kick your butt. I highly recommend any of their workshops.

I could only spend one day at this year's Cincinnati workshop because I had to return to teach my journalism class. Even one day was enough to inform me on some of the next steps in my own development. I am continuing to work on the relaxed strength, moving, centering, and spiraling that makes up good internal arts, but also allows you to flow like water, remain "out of reach" by your opponent, and then, as Bruce Lee also said, "I don't hit. IT hits by itself."

I can fight, but just fighting is no longer the goal for me, especially at my age. There is something else, skills that have been elusive.

I was working with Joe Martarano at one point during the workshop, and I realized that I was repeating some habits that have been part of my fighting but were not as efficient as I was trying to achieve.

"I need to empty my cup," I said, scolding myself. But Joe disagreed.

"Empty your cup?" he asked. "You already emptied your cup or you wouldn't be here today."

Good point. 

You never know when you will taste someone else's art and learn something that contributes to your own art.

 


New DVD Explores Fighting Applications of the Chen Taiji Straight Sword Form

Chen-Sword-Apps-DVD-250I have always believed if you are going to learn a martial arts weapons form, you should learn to fight with the weapon.

My newest DVD mines the gold inside the Chen Taiji Straight Sword form. I demonstrate 79 fighting applications, at least one realistic application for every one of the 49 movements in the form.

There is also a section that shows step-by-step how to go from form to fighting with a straight sword. How do you work with a partner to put the applications into practice? It is clearly demonstrated.

You will learn how the movements are used in parrying, deflecting, intercepting, adhering, controlling, and also how to counter with various cutting techniques. As usual, I teach with an emphasis on body mechanics.

This DVD is a follow-up to my Chen Taiji Straight Sword Form DVD, which provides instruction on the movements of the form. While it focuses on how to do the movements, this new DVD explores the fighting applications of the movements.

Running time is 1 hour 48 minutes. Check out the clip below for a sneak peak.

The Chen Straight Sword Fighting Applications DVD costs $19.99. There is Free Shipping worldwide, and a No Questions Iron-Clad Money-Back Guarantee -- if you aren't happy for any reason, just send the DVD back and you will get a prompt refund.

Click on this button for our secure order page and within a few days you will deepen your knowledge of the Chen family Straight Sword Form.

 

Buy Both DVDs and Save $10 --

The Chen Taiji Straight Sword Form DVD and the Chen Straight Sword Fighting Applications DVD -- Buy Both for only $29.99 with Free Shipping worldwide and a Money-Back Guarantee if you are not satisfied.

 

Here is a short clip from the Chen Straight Sword Fighting Applications DVD

  

 


Xingyi and Bagua Instructor Robert Allen Pittman - the Internal Fighting Arts Podcast Interview

Pittman
Robert Allen Pittman

The new edition of the Internal Fighting Arts podcast features an interview with Robert Allen Pittman, a martial artist and author who teaches Xingyi and Bagua through his system that he calls Wisdom of the Body. He is the type of martial artist I love to talk with -- a man who has gone to extraordinary lengths to learn his arts, particularly Xingyi and Bagua.

Allen was a student of Robert W. Smith, a pioneer who wrote some of the first books about Chinese kung-fu for the Western audience. Allen also co-authored books with Robert W. Smith on Xingyi and Bagua

I was thumbing through my martial arts library a few weeks ago when I came across his book, "Walking the I Ching." I tracked him down on the Internet and we arranged an interview while he was visiting his mother in England. I have seen his name for a long time, because of his work with Robert W. Smith, but I had no idea that he had such a good story.

Download the file or listen online by following this link, or play here:

 

 

 

 


Is Tai Chi a Healing Art? Interview with Author of Harvard Medical School Guide to Tai Chi - Peter Wayne

HarvardTai Chi is a martial art. Every movement is a powerful fighting application for self-defense.

But is it also a healing art? Does it have benefits that are more powerful than normal exercise, and if it does, do those benefits come from the slow, controlled nature of Tai Chi and the mindful, meditative components and from the flow of chi?

I would guess that more people consider it to be a healing art than a martial art. But is it really? Or when it is done in slow motion, is it one of the most low-impact exercises that elderly people can do to get them moving and to get their minds off their problems?

Do we think of it as a healing art based on outdated stories and science that doesn't hold up?

And do clinical trials show benefits that can be attributed simply to exercise and calming meditation, or is it something more? Are the health benefits of Tai Chi anything special?

Almost a year ago, I bought the Harvard Medical School Guide to Tai Chi, by Peter Wayne, Ph.D. I began asking Peter to appear on my Internal Fighting Arts podcast last August. After the podcast last month with Dr. Harriet Hall, the "SkepDoc," and the heat I encountered from some in the Tai Chi community following that interview, I thought it was time to balance the scales and talk to someone who is obviously more inclined toward the "traditional" view of the art.

Last week, I was finally able to talk with Dr. Wayne for an hour. The result is this podcast, the 24th in the series.

Don't miss the final five minutes, as I clarify part of the interview and have some final thoughts that wrap up some of the issues raised in the past two podcasts.

Follow this link to listen online or download the mp3 file to your computer -- the Internal Fighting Arts podcast 24 - Peter Wayne.

 

 


173 Board Breaks in the Chen Tai Chi Laojia Yilu Form

Tai Chi (Taiji) is performed slowly so students can learn the internal body mechanics that make it a powerful fighting art.

Every movement in Taiji has several self-defense applications. In my DVDs on fighting applications, I show more than 400 strikes, kicks, joint locks, sweeps, and takedowns in the Laojia Yilu form.

Recently, I decided to go through the 75 movements of Laojia Yilu -- also known as "Old Frame First Form" -- and do as many board breaks as I could find, without repeating any of the movements (several movements are repeated in the form). This video focuses only on striking possibilities in the form -- not chin-na or sweeps or throws. Just strikes and some kicks.

I came up with 144 board breaks in a little over two hours, then, after first posting the video a week ago, I saw 29 breaks that I wanted to add, so we shot those yesterday. My thanks to Colin Frye for holding the boards and my wife, Nancy, for being the ace videographer.

Now for some Breaking News -- 173 board breaks in one Taiji form. If you want to learn the body mechanics behind the movements, join my website at www.internalfightingarts.com, or check out my DVDs on this blog.

Chen Xiaowang says fajin ("issuing power") is the same as the slow movements of Tai Chi. The only difference is when you want to do fajin, you "step on the gas." In this video, I step on the gas.

One more thing about board-breaking. Bruce Lee said "boards don't hit back." Well, neither do heavybags, speedbags, or makiwara boards. These are all tools to develop power, technique, and to get a little instant feedback. Anyone who dismisses board-breaking because of something Bruce Lee said in a movie needs to think a little deeper.

 

 


Internal Fighting Arts Podcast 21 -- Interview with Chen Taijiquan Instructor Jan Silberstorff

Jan Silberstorff
Jan Silberstorff is interviewed in the 21st edition of the Internal Fighting Arts Podcast.

Jan Silberstorff is one of the martial artists who was at the top of my mind when I launched the Internal Fighting Arts Podcast more than a year ago. I have heard such great things about him from other Chen Taiji folks that he was on my wish list of interviews.

Luckily, he was in San Diego a couple of weeks ago, doing workshops at Bill and Allison Helm's Taoist Sanctuary, and Bill helped arrange for me to talk with Jan. By the way, Jan Silberstorff is pronounced "Yahn Zeelberstorff." 

Jan was the first Western indoor disciple of Grandmaster Chen Xiaowang, and he is the co-founder of the Chen Xiaowang World Taijiquan Association. He is based in Germany, but Jan travels the world teaching Chen Taiji.

Our conversation started with his beginning as a street punk in Germany, and his evolution in the martial arts and Taijiquan. His story is that of a determined, dedicated martial artist. Among other things, Jan tells us Chen Xiaowang's surprising reaction the first time he saw Jan perform Taiji, and he talks about how his practice has evolved, and what he is working on now when he practices.

Jan does not have an English website, but you can reach him through this site for the Chen Xiaowang World Taijiquan Association - Germany. 

He has two charity websites, which provide housing for street children in Brazil and Sri Lanka:

http://www.wctag-hilft.de/

http://www.island-of-the-children.org/en

He also has a website through the Center for Daodejing Studies:

http://iods.eu/wp/

Here is a link to the Internal Fighting Arts Podcast via Audello. You can listen online or download the file here: 

http://internalfightingarts.audello.com/internal-fighting-arts-21-jan-silberstorff/


The Eye of the Tiger and the Three Internal Harmonies -- Spirit is the Beginning of It All

Ken-Spars-1983-EyeofTigerDid you ever find yourself in a situation where a bigger bully attacked you and it was clear that you didn't have a chance? Have you ever been frightened and covered up to protect yourself?

Here is another question. Have you ever found yourself in a position when you had to defend yourself and you were determined to win?

There is a big difference between those two situations, and the difference is Spirit.

In the internal arts, Spirit is called "Shen." It is the "emotional mind."

The Three Internal Harmonies begin with Spirit. The state of your emotional mind combines with your Mind/Intent ("Yi" -- pronounced Yee). Shen is often called the "emotional mind" while Yi is sometimes called the "wisdom mind."

Think of one of the greatest fighters in history -- Muhammad Ali. Think of his attitude when he entered a fight. Confident, bold, smart, ready and willing to rumble.

Then think of a time when you were sparring -- or perhaps in a fight in school or on the street -- and you were not confident, not sure of your toughness, and afraid you were going to be defeated.

This is the difference between strong and weak Spirit.

You can train spirit when you are practicing. If you practice weak technique and fail to push yourself toward excellence and precision, you have weak Spirit. But if you push yourself to be stronger, faster, and precise and powerful with your mechanics and techniques, even when you are just practicing, you train your Spirit to be strong.

Sometimes, I get on students for having weak Spirit. They just sleep-walk through their techniques in a sloppy way. Sometimes, I can tell a student's spirit is weak when he expresses doubt in his ability to defend himself.

TourneyOne student spent years training, but he was unable to solve his own poor self-esteem. He constantly put himself down and said he would be unable to defend himself in a real fight. Early on, he competed in tournaments, but he was defeated time after time, and it became a vicious cycle -- he did not have the Spirit to win and he did not win. He gave up and stopped competing.

"I can point the way," I told him many times, "but I can't take you there. You have to understand and believe that you can do this."

When I find myself in a situation that could potentially require self-defense skills, I instantly adopt the Eye of the Tiger. I am calm but ready, and I will not be defeated. It is this Spirit that helped me win fights when I was younger and tournaments when I was older. 

When rapists are targeting victims, they look for women who appear to have weak Spirit. Women who are confident and appear strong are passed by in favor of victims who look like they will not fight back.

In Tai Chi, Hsing-I and Bagua, your Spirit and Intent combine, then your body mechanics, body structure and technique are directed to achieve the Intent. If your mechanics and technique are right, your Chi is flowing. In this way, the Yi leads the Chi. Your mind's intent leads the body mechanics and technique. 

When you are determined, and have good technique, your Strength (Li) happens naturally. Strong Shen and Yi and good Chi cannot help but generate strong Li.

This is the meaning of the Three Internal Harmonies. It is not mystical. Chi does not mean a mystical invisible energy flowing through meridians in your body. It means proper structure, mechanics, and technique. Strength is the result of a strong mind and a precise body.

By training seriously, pushing yourself toward precision, power, and good conditioning, and sparring with a variety of partners to develop your self-defense skills, proper Spirit should come naturally.

But I can't take you there. I can only point the way. Your Spirit is unique and lives within you.

Finally, do you want to see a great example of Spirit? It is embodied in a small French bulldog who could have been eaten by two big bears that invaded his yard. But his Spirit and his Intent produced some powerful Chi. It is a funny video, but it truly drives home the point. Do you have the Spirit of this bulldog?  


Chen Tai Chi Straight Sword Applications from Internal Fighting Arts Website

I recently shot applications for the entire Chen Tai Chi Straight Sword Form for my website. I've always believed that if a student is going to learn a weapons form, he should know how it is used in combat. For each of the weapons forms that I teach in Chen Taiji, Xingyiquan and Baguazhang, I teach the body mechanics and fighting applications, too.

This is a very short video showing two applications from two movements in the form -- "Ancient Tree Entwines its Roots" and "Hungry Tiger Searches for Food."

The straight sword was a popular weapon on the battlefields of ancient China. Fighting with a straight sword was a high-level skill. These two sword-fighting applications involve deflecting, sticking, following, controlling your opponent's blade and thrusting.

The video of all the sword applications is available only on my membership website, along with over 700 other video lessons covering the three internal arts and Qigong. There are also ebooks for members to download as part of their membership. If you are in need of deeper insights into the body mechanics and applications of Taiji, Xingyi and Bagua, try two weeks free by going to www.internalfightingarts.com. There are no contracts and you can cancel anytime (and no payment as you try it out with full access for two weeks).